the surrender is
not an option
because you can
only fight it for so long
it’s like cork
floating in the middle of the ocean
screaming
i must control it
i must have
control
it’s hard to just
let life happen . . .
1
giant leap – the truth is changing
end street park 
 | 
  
theme 
 | 
 |
selepe 
mutugi 
mazibuko 
baloyi 
gxamza 
mandyanda 
maphumulo 
 | 
  
 a 
 | 
  
 historical development 
 | 
 
 c 
 | 
  
 24/7: timetable + programmes 
 | 
 |
 d 
 | 
  
 borders + boundaries 
 | 
 |
 f 
 | 
  
 movement + typologies 
 | 
 |
 e 
 | 
  
 landscapes + languages 
 | 
 |
| b | urban + economic morphologies | |
 g 
 | 
  
 culture: food + music 
 | 
 |
construct a base plan and
  begin to record the people’s perceptions of the site based on the above
  themes. 
the question is political: how
  to resuscitate the city instead of encouraging escape from it, how to
  resuscitate the city as a domain of the public realm? for a society of the
  collective . . . 
a common architectural language
  can be born out of the generic ethics of urbanization, and by generic i mean
  this undifferentiated common quality, which precedes the individual. it can
  be born out of this condition, but it should reclaim it as common space,
  something that addresses the dignity of those who live in the city. 
 | 
 ||
joubert
  park 
 | 
  
theme 
 | 
 |
 ngoma 
 guya 
 mfusi 
 zuma 
 godsell 
 thantsha 
 ncame 
 | 
  
 b 
 | 
  
 urban +
  economic morphologies 
 | 
 
 e 
 | 
  
 landscapes
  + languages 
 | 
 |
 g 
 | 
  
 culture:
  food + music 
 | 
 |
 a 
 | 
  
 historical
  development 
 | 
 |
 f 
 | 
  
 movement +
  typologies 
 | 
 |
 c 
 | 
  
 24/7:
  timetable + programmes 
 | 
 |
 d 
 | 
  
 borders +
  boundaries 
 | 
 |
construct a base plan and
  begin to record the people’s perceptions of the site based on the above
  themes. 
the
  geographer
  david harvey once wrote that “the freedom to make and remake our cities
  and ourselves is … one of the most precious yet most neglected of our human
  rights”. generations of
  urban theorists, from lewis
  mumford to jane
  jacobs to doreen
  massey, have suggested that the place where cities get “remade” is in the
  public rather than private sphere. part of the problem, then, with privately
  owned public spaces (“pops”) – open-air squares, gardens and parks that look
  public but are not – is that the rights of the citizens using them are
  severely hemmed in. although this issue might be academic while we’re eating
  our lunch on a private park bench, the consequences of multiplying and
  expanding pops affects everything from our personal psyche to our ability to
  protest. 
 | 
 ||
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